709 Standard Dynamic Range (SDR) and Rec. Generate proxy media in custom frame sizes from 12.5% to 100% of the original in ProRes Proxy or H.264.Add and delete focus points and modify the depth-of-field effect in video recorded in Cinematic mode on iPhone 13 (requires macOS 12.0 or later).Automatically detect faces or other objects and track their motion to match their movement with an effect, graphic, or title.Send your iMovie for iOS project directly to Final Cut Pro for advanced editing, audio work, and finishing.
Import, edit, and share 360° video from equirectangular images stitched together from a wide variety of cameras.Previous experience with junior composting tasks such as prep Roto/Paint as evidenced by a show reel is necessary. This is an entry-level role to the 2D Department. Ideally will have taken classes in Compositing, Lighting, Photography, Animation & Coding. To have a positive attitude towards direction and can continuously improve work towards a refined solution while showing excellent attention to small details.Įxcellent organizational, communication, and interpersonal skills.Ĭareer Path to Junior Compositors: Roto/Paint artist is often an entry-level role to the 2D Department.Ĭareer Path from Junior Compositors: Compositor.Įducation Routes: Junior Compositors, often have a degree in Animation, Visual Effects or Film and Media studies. Keen observational and analytical skills, meticulous nature with a self-critical eye and high standards.ĭetermination to tackle and solve particularly time consuming tasks in an efficient manner. Proven ability to work closely in a small team, within tight schedules. To be able to effectively use 3D solutions to enhance/aid in 2D compositing tasks. To be familiar with image restoration techniques, replacement and clean up, paint, patching, de-graining, tracking, keying, roto and retiming. Work closely with production to minimise scheduling drift and to ensure delivery on time and under budget.Ī working knowledge of Nuke, or similar compositing package.Work in partnership with Compositor to ensure the integrity of the mattes for the elements of the shot.Attending dailies, Interpret director’s feedback, Delivering final shots that are creatively and technically excellent, address all note on schedule.Responsible for image restoration, dustbusting, wire removal, replacement and clean up.Creating mattes for each element of a shot that may need to be adjusted by the Compositor.Here junior artists learn the 2D pipeline and it instills in them the value and benefit of high quality mattes (cutouts). Rotoscoping and Paint are good places for junior Compositors to start their 2D career. Live action shots will often be digital manipulated to remove/add certain elements, this process is called Paint, for example wires that lift a character up in the air will need to be removed. This can be done by keying out a green screen (mattes made by color or pixel range), or if necessary elements can be manually rotoscoped (cut out). Junior Compositors will create mattes (cutouts) for each element that the Compositor needs to digitally manipulate. Compositors need control over each individual element of a shot.
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